When I began a daily practice of meditation in my early thirties, I was frustrated creatively. I had a novel in my head but I would write the same first twenty pages over and over again. My inner critics were bearing down on me with such vigilance that it felt impossible to get a word in edgewise.
After a couple of weeks of incorporating meditation into my life, I woke up one morning with a vivid dream that gave me my novel full blown. All I had to do was sit down and write it. And reader, I did! The inner critics must have been overwhelmed by the flow and were flushed away! Hooray! Six weeks later I had over three hundred pages of my first draft. For two hours every morning in my bedroom while my children were in nursery school I typed out two more drafts on my IBM Selectric that had replaced my dear old Underwood, and within nine months I had a novel. (That remains in ‘the drawer’ to this very day but that’s another story!)
I felt like my meditation practice cleared a wide column in the center of my being, allowing creative expression to rise up without blockage.
Why does meditation open the creative channel?
I can only speak to my own experience in writing and painting. But it makes sense when you think about how through the regular practice of meditation we begin to notice the harsh inner critics that rattle around in our thoughts constantly spouting cruel opinions about us. How likely are we to subject ourselves to such bad feelings by doing something creative? Why not avoid the whole thing? And yet there is this flicker of an eternal flame inside each of us that is ready to radiate, if only it were given even a little oxygen, a little kindness, a little encouragement. The creative impulse takes many different forms, not just in the arts. It’s where we feel truly alive and engaged in the process of creation, whether it’s an equation, a poem or a mural.
Without meditation to reveal what’s going on, we may assume that we are afraid of what other people might think. But it’s the inner critics that keep us from doing creative things. If we spend time with them in a compassionate way, we may begin to see where they come from. We might recognize what person who had a great deal of influence on us when we were young has been internalized and given power to keep us from living a full and meaningful life.
If you have a meditation practice, in the few minutes after you finish and your mind is clearer and kinder, throw out a question like “Why am I so resistant to ____________ (fill in your creative pursuit)?” (If you don’t have a practice, try it anyway after a quiet time with no distractions.)
Relax, look around, maybe yawn and rest — eyes open or shut, it doesn’t matter. Don’t search for answers. Just be open and easy. By asking the question, you are activating your own inner wisdom which has just been waiting to be asked. So notice answers as they arise. They come in many forms: visual or aural memories, some object you never noticed before, a book jumping off the shelf, the impulse to talk to a certain friend or family member.
I just happened to pose a question years ago around a problem I had, asking “Why am I so screwed up about ______?” I did not expect an answer, I was just in that state of quandary, and it may have been commentary, but I did pose it as a question. Then I just happen to lie there doing nothing, those last few precious moments before I make myself get out of bed, and much to my surprise within five minutes three different images came up for me out of the blue. Images of people and places I’d almost forgotten, words said to me that were cruel by people whose opinions mattered to me. At the time. And those three long-forgotten comments had been shaping my relationship to what I was ‘so screwed up about’! Wow! I had not thought about those people, and certainly not those words, in decades, but deep inside they were as fresh and wounding as if they were still being said.
And they were. Because I had internalized them. Those words were the daggers I used to make myself miserable. Exposed to the light of day by a simple question years later, I could see what had happened and how I had given away my power. And I said to myself “Why would I give those people so much power? They were clueless, troubled and unskillful. They didn’t know what they were doing, and even if they did, it had nothing to do with me.”
A big shift happen in my relationship to what I had been pondering. I managed to defang the viper that had sabotaged my ability to enjoy that part of my life! This is the power of insight meditation. It is not an escape from the daily grind, though it can be very pleasant. It empowers us to see clearly and to have compassion, to come into more skillful relationship with all that arises in our experience, even the ones so deeply hidden we hadn’t even known they were there. And it works especially well in relationship to creativity because, let’s face it, there were so many people when we were young — parents, teachers, classmates, the culture at large — telling us we couldn’t do it, that we weren’t doing it right, or asking who did we think we were to even try?
Suggestions for opening your creative channel
- If your creative impulses get thwarted by inner scoffing and ridicule, up your meditation game. Meditate every morning to open the wide wondrous channel of your own creative expression.
- Find your creative sangha. I bet you can find courses at a local community college or adult ed program where you will meet like-minded people with whom you can share the joy of creativity. It can feel silly on your own to buy art supplies and set up an easel in your home, but joining a class is empowering, and finding the friendship and encouragement of others who are also trying something new is very comforting. (I have a painting group I continue to meet with even though I haven’t painted in fifteen years. We meet every few months, share our creative efforts (I share my poetry) and enjoy each other’s company. For writing poetry, I belong to an ongoing poetry group where we are challenged but also feel safe in writing and sharing.)
- Just before beginning writing or painting or whatever creative project you are working on, give yourself a moment of meditation focus, grounding, centering, letting go of the hyper-critical self-doubt and scolding that hampers the free flow of your imagination.
- When you are not actively creating, stay alert to thought-threads and wisps of dreams that arise that might want to be expressed. Carry, and keep by your bedside, something to jot notes or sketches.
- Focus on the process, not the product. Creativity is process. The product is a byproduct of that process and focusing on that byproduct is counterproductive. It is infinitely more joyful to activate a creative field of expansive celebratory exploration, rather than keeping your eye on the supposed prize. There is no prize but this very experience right here and now. Focusing on the end result sabotages the end result because it limits the possibilities, disturbs the flow and sets you up for disappointment when what you had imagined and what you have created don’t match, leaving you unhappy, but also blind to what is actually there.
- Stay attuned to the creative flow and notice when it’s not ‘sparking joy’. Pause, walk away, refresh, renew, and then revisit when you feel ready.
- Remember that you are in collaboration with some synergistic serendipitous field of energy. Sounds woo woo until you’re in it, and synchronicity provides exactly what you need when you need it. That’s being in the flow, whether you’re working on a creative project or just living.
- The project is done when it satisfies some sense of wholeness, some intrinsic ‘yes!’ Not because you think it’s what the market wants or your teacher or friends like it, but because it satisfies something in you.
In my experience there are four clearly delineated stages of creativity that suffer when they overlap. I will use writing as my creative example, but it could just as well be used in other kinds of creative endeavors.
THE FOUR STAGES OF CREATIVITY
- Stage 1: Open
You have a thought, a dream, a phrase, an impulse — the stirrings of creativity arising. You might jot down a little something or keep toying with the words in your head, or it may arrive full blown and you can write it out. But if you sit down to write before the stirrings have inspired something, it may take a while to get to the heart of the matter, or you might never get there because the writing process without the stirrings can be laden with complicated self-talk.
- Stage 2: Write
When you are ready simply pour the words onto the page. Don’t hold back, don’t overthink, don’t edit. Just breathe life into the experience with the senses and specifics. If something needs researching, just make a note in the margin “RESEARCH:______________” Don’t look anything up right now or your attention will be stolen by the internet gremlins.
- Stage 3: Edit
Editing use a very different set of tools than writing. Trying to use them both at the same time stops the flow and gums up the works. Give your piece a little cooling off period before revisiting with an eye to where it comes alive, what contributes and what dulls it down. Then edit with fresh eyes. You might hang the piece somewhere you will see it often, and it will stay alive and reveal what may need to happen.
- Stage 4: Share
Showing your work to others is a completely separate stage. Thinking about sharing it during the other stages will thwart the process. Sharing the work out loud or in print with others is both illuminating for the writer and the listener/reader. But the writer is not obligated to share, and except for reading well and providing a satisfying print environment for the piece, the writer’s work is done. The reader’s creative engagement and what they do with it is their own experience.
So there are a few ideas to use to stir up your inner creative impulse. Enjoy! But remember it all starts with a daily practice of meditation so the channel of creativity can open fully.
Oh boy, I just saved this for future reference. It is precisely what I need just now–talk about “synergistic serendipity” (just SAYING that is fun!). I find myself jealous that my own inner critic won’t “flush away” as quickly as yours did. Mine is so $%^&ing intransigent, like it’s holding on for dear life. Every path is different. I just have to figure out what mine is. But thank you for all the valuable guideposts.
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Thanks for your comment, Holly! I’m glad it feels useful. I see how it could kick one into comparing mind however. Of course I still have inner critics. Why do you think that novel is still in a drawer? 😉